Friday, 17 May 2013

evaluation of still and scapes


Evaluation
This project was a split/ duel project on landscapes and still life having 14 weeks on the project as a whole, with landscapes being ten weeks and still life four. We started with still life and I didn’t have a clue what to expect, so I went into the project with a clear mind and didn’t think much about it to begin with. But after spend three or four hours in the studio trying to get the light right, which i found that to be biggest challenge of these project.  So I ended up spending more and more time in the studio lighting different objects in different ways I finally ran out of time to practice and had to do the shoot, it all seemed to come together on that day, the natural light was terrible. I had practiced for that and quickly set up the studio lights and looking back that was the right decision and I am really happy with my final print. There was also the fact that we were using to completely different formats and the challenges that I would be facing with each would be different, the first was digital, now I’m not a big fan of digital preferring film, but I handled the Cannon d5 quite aptly my. The 5’ 4’ camera I had never used before and the experience was eye opening, I really enjoyed the experience and will definitely be using it again. There are benefits with both formats, with film being that you can take a lot of photo quite quickly but printing multiple c-types can be quite expensive, were as film especially large format gives you extraordinary detail if taken correctly, but get it wrong and you can easily waste money taking multiple photo. The landscapes part of the project was my favorite I really enjoyed the experience of using the large format camera but I a made a few mistakes the main one being the I double exposed one my negatives.       

Tuesday, 14 May 2013


Richard Billingham
 Landscapes 2001-2003
 Dewi Lewis Publishing
Richard Billingham
Beach in Karachi.2001

Richard Billingham
 Landscapes 2001-2003
 Dewi Lewis Publishing
Richard Billingham 
South Downs.2003

Richard Billingham
 Landscapes 2001-2003
 Dewi Lewis Publishing
Richard Billingham 
Muddy Path.2001

Richard Billingham
 Landscapes 2001-2003
 Dewi Lewis Publishing
Richard Billingham 
Fence.2001

Richard Billingham
 Landscapes 2001-2003
 Dewi Lewis Publishing 
Richard Billingham 
Mountains.2001


Richard Billingham
 Landscapes 2001-2003
 Dewi Lewis Publishing
Richard Billingham 
Church.2001


landscapes book research





The Key Concepts: Photography 
David Bate
BERG
Oxford.New York
Thomas Richard Williams
'Nature Mort' or 'The Sands of Time' 1852
daguerreotype 
page 126



still life book research

The Key Concepts: Photography 
David Bate
BERG
Oxford.New York
page 113
Howard Schotofer 
'still life'
1931 



still life book research
The Key Concepts: Photography 
David Bate
BERG
Oxford.New York
page 110
Samuel Manners 1927 
advertisement with typewriter on desk


still life book research


http://www.olex.org/blog/?p=3975

Oliver lins


The red in the sign is really eye catching and draws attention to the black watermarks under the screws on the bottom left and right of the sign. The signs vibrancy also makes everything else, all the plants and weeds seem quite lifeless, but I feel this is a good thing as it adds rather than drawing from the picture and makes it work. 


http://www.olex.org/blog/?p=3975

Oliver Lins


Quite like the fence in this photo, not sure about the fact that it’s a colour photo, though I don’t think it would work as well black and white. They could of done it at a different time of day and maybe got more light on more of the objects in the fore, as it’s quite dull and a bit drab but if the light was coming from a different direction it pick up the colour of the pipes, but that’s just my opinion.  Other that its quite a good photo and I quite like it.

http://www.prixpictet.com/portfolios/growth-shortlist/edward-burtynsky/

Burtynski 

Had to have this in my research somewhere.
At first I found this amusing, because I thought think about the traffic jam if all these cars tried to leave at the same time and I found that to be most amusing, I don’t really know why though.
It’s the uniformity again that I like.  I find that that is a playing factor in most of burtynski’s photos.  


http://www.zeitgeistfilms.com/DVDpressroom/2012.html

 Burtynski


This burtynski picture kind of needs explaining because if didn’t know it I don’t think it would have such an effect on you. This is photo of a city but all the people who lived there were paid to destroy there homes, image that not only were they made leave they were made to destroy it as well.
 There is certain feeling you get from it that’s hard to describe, when you know the story behind it, it takes on another meaning and changes how you look at. The owners of the homes did all the destruction in the photo; I find it hard to comprehend how that would feel.